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When looking at characters in your work from the inside out, do you do that for all the roles or just the protagonist?

When looking at characters in your work from the inside out, do you do that for all the roles or just the protagonist?
Feb 23, 2012

Other than bringing positive qualities to a character that is not a nice person, how can you build the audience’s empathy with that character?

Other than bringing positive qualities to a character that is not a nice person, how can you build the audience’s empathy with that character?
Feb 22, 2012

I notice in many movies, there are multiple screenwriters. Do they usually work together or more in layers?

I notice in many movies, there are multiple screenwriters. Do they usually work together or more in layers?
Feb 21, 2012

You say that conflict is what drives a story. Does this apply in journalism to news stories as well?

You say that conflict is what drives a story. Does this apply in journalism to news stories as well?
Feb 20, 2012

Ed Saxon, Oscar Award-Winning Producer, Part 5

Ed Saxon, Oscar Award-Winning Producer, Part 5
Feb 19, 2012

Celebrity Series Lesson: Award-Winning Author Patrick McGrath, “The Gothic”, Part 2

Celebrity Series Lesson: Award-Winning Author Patrick McGrath, “The Gothic”, Part 2
Feb 18, 2012

What are the main features of an education plot?

What are the main features of an education plot?
Feb 17, 2012

What is the difference between a redemption plot and an education plot?

What is the difference between a redemption plot and an education plot?
Feb 16, 2012

How can an audience be moved by minimalism as they are by classical design?

How can an audience be moved by minimalism as they are by classical design?
Feb 15, 2012

How do you avoid being schizophrenic when you have two important characters in the same scene and you have to go back and forth between the two?

How do you avoid being schizophrenic when you have two important characters in the same scene and you have to go back and forth between the two?
Feb 14, 2012

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