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Adapting a Biographic Novel

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Can A Story Work If The Conscious Object Of Desire Of The Protagonist Is Something Abstract, Like A State Of Mind?

Can A Story Work If The Conscious Object Of Desire Of The Protagonist Is Something Abstract, Like A State Of Mind?
Jul 30, 2010

What Are The Basic Elements Or Questions That Need To Be Dealt With When Defining The Parameters of SciFi/Fantasy Stories?

What Are The Basic Elements Or Questions That Need To Be Dealt With When Defining The Parameters of SciFi/Fantasy Stories?
Jul 29, 2010

Should I Be Concerned About Plagiarism?

Should I Be Concerned About Plagiarism?
Jul 28, 2010

How Come There Isn't An "Immaturation Plot" To Mirror The Maturation Plot?

How Come There Isn't An "Immaturation Plot" To Mirror The Maturation Plot?
Jul 27, 2010

How Does New Media and the Internet Impact Classic Story Structure? Where Do We Go When People Can Choose Their Own Endings?

How Does New Media and the Internet Impact Classic Story Structure? Where Do We Go When People Can Choose Their Own Endings?
Jul 26, 2010

Why Don't You Discuss More French Films During The Story Seminar?

Why Don't You Discuss More French Films During The Story Seminar?
Jul 23, 2010

When Multiple Characters Are Involved, Can The Same Scene Be Used To Further More Than One Plot or Subplot At A Time?

When Multiple Characters Are Involved, Can The Same Scene Be Used To Further More Than One Plot or Subplot At A Time?
Jul 22, 2010

Is The Quest For An Artistic Work Always Diminished By The Commercial Requirements Of Distribution?

Is The Quest For An Artistic Work Always Diminished By The Commercial Requirements Of Distribution?
Jul 21, 2010

Should Writers Write With The Intent That The Audience Has Some Information About The Story In Advance?

Should Writers Write With The Intent That The Audience Has Some Information About The Story In Advance?
Jul 20, 2010

What Happens If You're Writing A Script In A Certain Genre, And Then Discover Halfway Through That There's Another Underlying Genre?

What Happens If You're Writing A Script In A Certain Genre, And Then Discover Halfway Through That There's Another Underlying Genre?
Jul 19, 2010

What Are The Pros and Cons Of Working On More Than One Story At A Time?

What Are The Pros and Cons Of Working On More Than One Story At A Time?
Jul 16, 2010

Is There A Certain Place To Position Songs in Movies? In Musicals?

Is There A Certain Place To Position Songs in Movies? In Musicals?
Jul 15, 2010

How Do You Feel About Using Dreams As Alternate Settings?

How Do You Feel About Using Dreams As Alternate Settings?
Jul 14, 2010

Would Changing My Story's Setting (i.e. its City) Make It More Saleable to Hollywood?

Would Changing My Story's Setting (i.e. its City) Make It More Saleable to Hollywood?
Jul 13, 2010

Does The Knowledge and Hype That Precedes A Movie's Release Ruin Its Storytelling Power?

Does The Knowledge and Hype That Precedes A Movie's Release Ruin Its Storytelling Power?
Jul 12, 2010

How Do You Deal With Irreversible Changes in TV?

How Do You Deal With Irreversible Changes in TV?
Jul 09, 2010

Is All Subtext, By Nature, Manipulative In Its Intent?

Is All Subtext, By Nature, Manipulative In Its Intent?
Jul 08, 2010

How Do You Construct and Tell A Non-Linear Story?

How Do You Construct and Tell A Non-Linear Story?
Jul 07, 2010

How Does A Writer Who Is Just A Beginner Learn How To Master The Craft?

How Does A Writer Who Is Just A Beginner Learn How To Master The Craft?
Jul 06, 2010

What Happens After You've Sold Your Screenplay? Do You Have Any Control Over It?

What Happens After You've Sold Your Screenplay? Do You Have Any Control Over It?
Jul 05, 2010

Why Can't I, Instead Of Having The Protagonist Turn, Have the Audience Turn?

Why Can't I, Instead Of Having The Protagonist Turn, Have the Audience Turn?
Jul 02, 2010

Can The Inciting Incident Be More Than One Event? Can It Be A Sequence Of Events?

Can The Inciting Incident Be More Than One Event? Can It Be A Sequence Of Events?
Jul 01, 2010

Is The Five-Part Design Found In One Act Stories?

Is The Five-Part Design Found In One Act Stories?
Jun 30, 2010

How Do We Find The Contrary Value of a Positive Value?

How Do We Find The Contrary Value of a Positive Value?
Jun 29, 2010

Is There A Principle To Follow When Determining How Dramatic To Make Your Inciting Incident?

Is There A Principle To Follow When Determining How Dramatic To Make Your Inciting Incident?
Jun 28, 2010

Is It Ok To Do True Characterization For All Of Your Characters, Primary And Supporting?

Is It Ok To Do True Characterization For All Of Your Characters, Primary And Supporting?
Jun 25, 2010

What Is Your Motivation For Conducting The Story Seminar?

What Is Your Motivation For Conducting The Story Seminar?
Jun 23, 2010

How Long Should Flashbacks Be, And Where Should They Be Placed?

How Long Should Flashbacks Be, And Where Should They Be Placed?
Jun 24, 2010

Do Movies Mirror Real-Life Experiences In Their Positive and Negative Charges?

Do Movies Mirror Real-Life Experiences In Their Positive and Negative Charges?
Jun 22, 2010

How Do You Differentiate Between A Style and A Cliche?

How Do You Differentiate Between A Style and A Cliche?
Jun 21, 2010

The Difference Between Writing for Film Versus TV

The Difference Between Writing for Film Versus TV
Jun 18, 2010

How Do I Define My Work In One Sentence?

How Do I Define My Work In One Sentence?
Jun 17, 2010

Do You Recommend That Novels Start with the Inciting Incident or Set-Up?

Do You Recommend That Novels Start with the Inciting Incident or Set-Up?
Jun 16, 2010

The Influence of Propaganda in Films on Society

The Influence of Propaganda in Films on Society
Jun 15, 2010

What's The Best Way To Tackle A Montage?

What's The Best Way To Tackle A Montage?
Jun 14, 2010

What Is The Truth Of Your Story? How Do You Define Truth?

What Is The Truth Of Your Story? How Do You Define Truth?
Jun 11, 2010

How Do We Live A Better Story Within Our Own Lives?

How Do We Live A Better Story Within Our Own Lives?
Jun 10, 2010

"What Are The Benefits and Drawbacks Of Doing A Two-Person Protagonist?"

"What Are The Benefits and Drawbacks Of Doing A Two-Person Protagonist?"
Jun 09, 2010

How Do You Know The Value of Your Second Act Climax If The Ending Can Go Two Different Ways?

How Do You Know The Value of Your Second Act Climax If The Ending Can Go Two Different Ways?
Jun 08, 2010

What Do You Do After You Finish Your Screenplay?

What Do You Do After You Finish Your Screenplay?
Jun 07, 2010

How Would I Start A Career In Rewriting Screenplays?

How Would I Start A Career In Rewriting Screenplays?
Jun 04, 2010

Is Body Language an Actor's Choice or Writer's Directive?

Is Body Language an Actor's Choice or Writer's Directive?
Jun 03, 2010

When You Revise Your Story, To What Extent Can You Revise Your Character?

When You Revise Your Story, To What Extent Can You Revise Your Character?
Jun 02, 2010

Why Is The Female Protagonist Considered Commercially Unsuccessful?

Why Is The Female Protagonist Considered Commercially Unsuccessful?
Jun 01, 2010

How Do You Measure Risk In A Screenplay or Film. Example: Disney's RATATOUILLE

How Do You Measure Risk In A Screenplay or Film. Example: Disney's RATATOUILLE
May 31, 2010

What Are The Limits of Influence and Persuasion in Screenwriting?

What Are The Limits of Influence and Persuasion in Screenwriting?
May 28, 2010

At What Stage Do You Re-Write?

At What Stage Do You Re-Write?
May 27, 2010

The Negation of the Negation / Reaching The End of the Line

The Negation of the Negation / Reaching The End of the Line
May 26, 2010

Which "Self" Changes - The Secret Self or the Subconsciou/Invisible Self?

Which "Self" Changes - The Secret Self or the Subconsciou/Invisible Self?
May 25, 2010

Could You Change Your Character's Object of Desire

Could You Change Your Character's Object of Desire
May 24, 2010

What Did You Think About The Structure of JUNO?

What Did You Think About The Structure of JUNO?
May 21, 2010

Degrees of Anger in Comedy

Degrees of Anger in Comedy
May 20, 2010

Can A Novel Begin With a Flashback?

Can A Novel Begin With a Flashback?
May 19, 2010

The Myth and Story

The Myth and Story
May 18, 2010

Should You Think Of A Certain Actor or Actress To Play A Part When Writing A Screenplay?

Should You Think Of A Certain Actor or Actress To Play A Part When Writing A Screenplay?
May 17, 2010

What Happens In A Horror Film When A Character Is Bitten By A Zombie?

What Happens In A Horror Film When A Character Is Bitten By A Zombie?
May 14, 2010

When Do You Establish A Character's Expectation?

When Do You Establish A Character's Expectation?
May 13, 2010

The Level of Conflict in the Plot and Sub-Plot

The Level of Conflict in the Plot and Sub-Plot
May 12, 2010

Do Plot and Sub-Plot Have To End The Same Way?

Do Plot and Sub-Plot Have To End The Same Way?
May 11, 2010

Where Does The Inciting Incident Come From - Within or Outside of the Character?

Where Does The Inciting Incident Come From - Within or Outside of the Character?
May 10, 2010

At What Stage In Your Writing Do You Show It To Someone?

At What Stage In Your Writing Do You Show It To Someone?
May 07, 2010

Is My Life Story Interesting Enough To Be A Screenplay?

Is My Life Story Interesting Enough To Be A Screenplay?
May 05, 2010

Will The Story Work If You Reverse the Roles of the Antagonist and Protagonist?

Will The Story Work If You Reverse the Roles of the Antagonist and Protagonist?
May 06, 2010

How Important Are The First 5 Pages of the Screenplay?

How Important Are The First 5 Pages of the Screenplay?
May 04, 2010

How Do You Arouse Concern for the Protagonist?

How Do You Arouse Concern for the Protagonist?
May 03, 2010

How Do You Write Stories That Are Timeless?

How Do You Write Stories That Are Timeless?
Apr 30, 2010

How Do You Create An Ironic Ending In A Thriller?

How Do You Create An Ironic Ending In A Thriller?
Apr 29, 2010

Are Flashbacks Useful and How Long Should They Be?

Are Flashbacks Useful and How Long Should They Be?
Apr 28, 2010

Testing Plot - Pt. II

Testing Plot - Pt. II
Apr 27, 2010

The Testing Plot

The Testing Plot
Apr 26, 2010

Designing The Perfect Crime

Designing The Perfect Crime
Apr 23, 2010

Accelerating The Development Of Your Character

Accelerating The Development Of Your Character
Apr 22, 2010

Characters Making Conservative, But Sufficient, Actions

Characters Making Conservative, But Sufficient, Actions
Apr 21, 2010

How Do You Learn To Tell Stories?

How Do You Learn To Tell Stories?
Apr 20, 2010

Applying the Principles of Story to Short Stories

Applying the Principles of Story to Short Stories
Apr 19, 2010

Writer's Block

Writer's Block
Apr 16, 2010

Telling A Story With Still Photography

Telling A Story With Still Photography
Apr 15, 2010

Balancing A Character's Negative and Positive Dimensions

Balancing A Character's Negative and Positive Dimensions
Apr 14, 2010

Act Structure in Story

Act Structure in Story
Apr 13, 2010

Should Comedy Characters Be Shallow and Soulless?

Should Comedy Characters Be Shallow and Soulless?
Apr 12, 2010

Using Story in the Context of a Non-Fiction Work

Using Story in the Context of a Non-Fiction Work
Apr 09, 2010

The Difference Between Exposition and Set-Ups

The Difference Between Exposition and Set-Ups
Apr 08, 2010

Act Climaxes on Stage and on Screen

Act Climaxes on Stage and on Screen
Apr 07, 2010

Myth and Truth in Story

Myth and Truth in Story
Apr 06, 2010

If The Audience Knows What Will Happen, Does It Kill The Suspense?

If The Audience Knows What Will Happen, Does It Kill The Suspense?
Apr 05, 2010

Does Reading Other People's Writing Influence Your Writing?

Does Reading Other People's Writing Influence Your Writing?
Apr 02, 2010

Applying The Principles of Story in Television

Applying The Principles of Story in Television
Mar 31, 2010

Writing For Children vs. Writing For Adults

Writing For Children vs. Writing For Adults
Apr 01, 2010

Getting Into The Minds Of Characters of the Opposite Sex

Getting Into The Minds Of Characters of the Opposite Sex
Mar 30, 2010

Writing A BioPic

Writing A BioPic
Mar 29, 2010

Is It Fatal To Incapacitate Your Main Character In The Story?

Is It Fatal To Incapacitate Your Main Character In The Story?
Mar 26, 2010

Using Story To Raise Money For A New Venture

Using Story To Raise Money For A New Venture
Mar 25, 2010

"COULD I do this?" versus "WHY am I doing this?"

"COULD I do this?" versus "WHY am I doing this?"
Mar 24, 2010

Starting with a specific inspiration or theme, and then changing course.

Starting with a specific inspiration or theme, and then changing course.
Mar 23, 2010

Sequels and Prequels

Sequels and Prequels
Mar 22, 2010

What Makes A Thriller A Thriller?

What Makes A Thriller A Thriller?
Mar 19, 2010

How Do You Get Over Writer's Block?

How Do You Get Over Writer's Block?
Mar 18, 2010

Do I Need Technical Filmmaking Knowledge To Be A Screenwriter?

Do I Need Technical Filmmaking Knowledge To Be A Screenwriter?
Mar 17, 2010

Positioning A Story In A Keynote Address

Positioning A Story In A Keynote Address
Mar 16, 2010

Writing Dialogue Before You Have A Story

Writing Dialogue Before You Have A Story
Mar 15, 2010

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