You are viewing a clip of this video, click to Join. Members, click to Log in.
|
Now PlayingWhen you start writing a story about a certain subject, do you decide from the beginning where you're going to take it?
Sep 30, 2010 |
||||
When you sign up for Storylogue, you will also enjoy:
Can you explain the core event and the core emotion in the epic?
Aug 24, 2014
What is the purpose of jumping back and forth between multiple storylines within a feature film or TV episode?
Aug 17, 2014
What characterizes a sado-masochistic relationship?
Aug 16, 2014
Do you have any tips for writing a treatment that really sells?
Aug 10, 2014
How does writing an episode for a procedural crime show differ from writing a feature film thriller?
Jul 31, 2014
What's the best way to pitch a new story for television? Should I prepare a full script?
Jul 29, 2014
Do I have to be able to tell a story well verbally in order to be a good storyteller in my writing?
Jul 28, 2014
I had a post-apocalyptic story that turned into a heist story. And then that heist transformed into a completely different heist.
A farcical sports comedy I was working on has become a drama about the problems in the school system.
A fantasy tragedy has changed its world half a dozen times, and on and on.
I'm always happy when this happens because it feels like *work*. Pixar apparently work this same way, and I think it's a good thing, because it means you're properly exploring your ideas in a depth that should mean what you end up with, is worth making.