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Where did Milo come from and why is he gay?
It's funny how many people claim to know the real-life person from whom I developed Milo. The truth is, I made him up out of whole cloth. I decided he would be gay because the notion of yet another tough homicide cop seemed hackneyed and boring. Back when I wrote the book, the Los Angeles Police Department denied the existence of gay cops and I thought that might create some interesting tension.
I knew gay people in positions of authority who went about doing their job without their sexual preference mattering. The point I wanted to make was: who cares what someone does in bed? In 1981, that was a radical proposition.
I have an analogy for thought.
In the UK there is a terrific journalist who is black. Works for the BBC. Some time ago, he and his excellent work (he's becoming a protagonist in my analogy) were being discussed and an observer mentioned he was a great black journalist.
Whoaaaaaa!
The listening broadcaster said abruptly, "He is a great journalist. Period!"
So with gay this's and that's.
Seems to me it's time that America started to dis-distinguish it's heros and villains.
I can see there 'could' be (depending on the depth and sensitivity of the writing) something to enhance in a sexual orientation but on the other hand if a heo is gay - so what? is he a hero characterisation deep down is the question I ask myself when writing a character with idiosyncrasies or orientations!
Wanda Sykes? the recently 'outed' black lesbian comedian thinks it's harder explaining her gayness than her blackness.
Seems to me she as a comedic characterisation is in a win win situation. On the other hand if she was a hero of another story, she should avoid both issues entirely!
Good luck with your formation of your character.